These factors led to a budget cut for the third movie, Beyond, due for release this year. Its sequel, Into Darkness (2013), was an even bigger worldwide box office success ($467 million) but revenues were down in the American market on its predecessor and the film faced a much rougher ride from critics. The new film, simply called Star Trek, was a reasonable box office success ($385 million worldwide) and was critically warmly received. Abrams helmed a reboot of the series by creating a parallel timeline with new actors playing younger versions of the classic crew of Kirk, Spock, Dr. This happened in 2009, when director J.J. Whatever the reason, "resting" Star Trek for a few years was generally regarded as a good move, allowing fresh creative voices to come on board and for the franchise to eventually be relaunched. At the same time, the StarGate franchise - spanning three TV series airing between 19 - had won a loyal fanbase for its greater use of self-aware humour and serialisation. The new BSG's critical success was particularly notable since it was produced and written by ex- Star Trek writers unhappy with the direction of the franchise post- Deep Space Nine. However, others suggested other reasons: the rise of "grittier" and more adult SF franchises like Firefly (2002) and the rebooted Battlestar Galactica (2003-09) made Star Trek look increasingly tired and quaint. "Franchise fatigue" was blamed by executive producer Rick Berman for the declining interest in Trek. The feeling was that the audience had become over-saturated with Star Trek since 1987 no less than 25 seasons of Star Trek had aired on television, accompanied by six movies. This was two years after the tenth Star Trek movie, Nemesis (2002), had proved to be a critical and commercial failure. In 2004 the sixth Star Trek TV series, Enterprise finished after four seasons due to disappointing ratings and a "mixed" critical reception. Star Trek's success is extraordinary, which is all the more puzzling why it has been treated so badly recently.
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